Here are some highlights:
1. Felix Lee Becomes Louis Vuitton Muse
Felix Lee, the 24-year-old Australian-born member of K-Pop group Stray Kids, has been appointed as a muse for Louis Vuitton’s womenswear artistic director, Nicolas Ghesquière. Felix showcased his modeling prowess by walking the runway at Louis Vuitton’s Fall-Winter 2025 show in Paris, marking his second appearance for the brand. This collaboration highlights the growing influence of K-Pop artists in the global fashion scene.
2. Highly Anticipated K-Pop Comebacks
March 2025 is an exciting month for K-Pop enthusiasts, with several artists making notable comebacks:
- Jennie (BLACKPINK): Jennie is set to release her debut solo studio album, Ruby, on March 7. The album features collaborations with artists like Dua Lipa and Childish Gambino, generating significant anticipation among fans.
- HOSHI X WOOZI (SEVENTEEN Sub-unit): Members Hoshi and Woozi are debuting as a sub-unit with their album Beam, scheduled for release on March 10. The duo’s collaboration is highly awaited due to their distinct musical styles.
- Yeji (ITZY): Yeji is making her solo debut with the mini-album AIR, also releasing on March 10. The album includes tracks co-written by Yeji, showcasing her artistic versatility.
- Xiumin (EXO): Xiumin returns with his second album, InterviewX, on March 10. The album’s title track, “Can’t Help Myself,” has already garnered attention for its captivating melody.
- LE SSERAFIM: The girl group is set to release their fifth mini-album, HOT, on March 14. The title track blends rock and disco elements, promising a fresh sound for fans.
3. Big Ocean’s Upcoming Concert in Japan
Big Ocean, notable for being the first K-Pop idol group with hearing impairments, is scheduled to hold its first concert in Nagoya, Japan, on March 9. The trio—Kim Ji-seok, Park Hyun-jin, and Lee Chan-yeon—debuted in April 2024 and have been active in both music and social initiatives, breaking barriers in the entertainment industry.
These developments reflect the dynamic and positive trajectory of South Korea’s entertainment landscape in March 2025.
